Thanks to Sandra at Madsnapper who told me about the blogger app for my iPhone, I am letting you know that I am without the Internet right now. We are waiting for a new modem which is being mailed to us. Thankfully I have had this post in draft form for a long time, an old blog post that I decided to reintroduce.
From a visit into Washington DC on December 28th, 2009.

Back when the weather was a little warmer our family went into Washington DC to look around The Smithsonian Museum of American History. Our main objective (okay us girls as the guys elected to wait outside) was to visit the The First Ladies exhibition where their gowns are on display. The last time we couldn't even get in there without having to wait in line for a very long time and my legs were already tired from walking all over the city. This time it was a little better but still crowded. Mostly women and one or two men. I would have enjoyed taking more photographs, as many were too blurry. These came out okay. I didn't feel like I could monopolize my space and kept moving towards the end of the display, fortunately snapping off several shots along the way. Some snaps did not make it but I was happy with what I got.

The exhibit only had 14 dresses on display. From the information I gleaned, this was because way back they did not realize how even the slightest light did so much damage to these historical dresses, so now they rotate them to prevent even more deterioration. At the time we visited we were allowed to take photographs but we could not use any flash for obvious reasons. The following is what I got on line:
"Why aren’t all of the gowns on exhibit?
Light, climate, and gravity are all harmful to fabric. Over time, they have damaged the gowns. There are some gowns that can no longer be exhibited because they were too badly damaged by their years on display. Other dresses are rotated on and off display in order to keep them in good condition."

It is hard to comprehend that this is Martha Washington's gown from the 1780's and is the oldest gown in the exhibit. It is made of salmon pink faille and is hand painted with flowers, butterflies and other insects. The collar and cuffs are reproductions.

This is
Frances Cleveland's evening gown. She wore it with a fur-edged hem and a black satin and jet trim during her husband's second administration, and was made by Baltimore dressmaker, Lottie Barton.

I am not sure whose items are these, a guess might be Jane Findlay but I can't be 100 percent sure. Her portrait below shows her wearing a lace bonnet very similar to this one.

Everyone who passed by this gown was in awe. It was just beautiful.

Portrait of
Julia Tyler, second wife of John Tyler in about 1840.

Next is Grace Coolidge's flapper style evening dress. It is made of velvet trimmed, black and gold metallic lace over a gold lamé underdress. 
Unfortunately I did not get whose dress this belonged to but there was a portrait of
Pat Nixon nearby. My search online for the last hour didn't yield any results.

Various adornments worn by the first ladies.

This is
Mamie Eisenhower's evening gown. It is a rose-colored silk damask ball gown for a 1957 state dinner at the British Embassy. Nettie Rosenstein designed the ensemble, which included a matching purse and shoes.

Jacqueline Kennedy wore this yellow silk evening gown, designed by Oleg Cassini, with an overlay of crepe chiffon in 1961 for the Kennedy administration's first state dinner, for Tunisian president Habib Bourguiba.

Finally this is
Laura Bush's gown. Made of red Chantilly lace and silk satin with crystal beading, it was created by Dallas designer Michael Faircloth.
It can take up to two years for a dress to go on display. A letter is sent from the Secretary of the Smithsonian asking if the First Lady would donate something that would represent herself in the collection. The gown will be on view immediately after donation.
All were beautiful gowns, but my favorites were the vintage ones. Since I was very young I have always had a fascination for clothing going back to medieval times. My dream job would have been in a costume department either at a museum or on a stage set. I still have a great interest in costumes and traditional clothing.
Thanks for stopping by and enjoy the day. I am looking forward to catching up with you all eventually.